Copenhagen by Michael Frayn
Nov. 30 to Dec. 11, 2016
In 1941, German physicist Werner Heisenberg visited his Danish colleague and mentor, Niels Bohr, in Copenhagen. The uncertainty over what really happened at this meeting, uncomfortable and dangerous in the midst of World War II, compels the two men, along with Bohr’s wife Margrethe, to revisit their confused versions of the event. Even in the afterlife, they are driven to understand the implications of atomic theory in wartime and the explosive chain reactions of human relationships.
Trinidad Theatre—Logan Fringe Arts Space
1358 Florida Ave. NE, Washington, DC 20002
Tickets: $25 all shows / PWYC preview Nov. 30
Discounts for students, seniors, and groups
- Pay-what-you-can preview: Wed., Nov. 30, 8 pm
- Opening night with post-show reception: Thursday, Dec. 1, 8 pm
- Matinee with “Spotlight on Copenhagen” post-show salon: Sunday, Dec. 4, 2 pm
Join a discussion of the historical significance and ethical implications of the Copenhagen meeting, led by Georgetown University professor and historian of science Kathryn Olesko, after our Dec. 4 matinee. Everyone is invited to this salon, whether they see the show on that particular date or a different one.
John Decker is a proud company member of the Quotidian Theatre Company, where he most recently appeared as Mr. Bardolph in Lettice and Lovage. He previously appeared there in The Veil, The Iceman Cometh, Shining City, The Cherry Orchard, The Seafarer, The Trip To Bountiful, Dublin Carol, The Mollusc, Pygmalion, Tomorrow, The Roads to Home, Valentine’s Day, The Weir and A Doll’s House. Favorite roles elsewhere have included Dysart in Equus and Freddie in Noises Off. John has also designed and built the scenery for innumerable local productions.
Benjamin McRae is a paragon of uncertainty, rarely exhibiting both speed and direction; he prefers aimless bursts of creative alacrity and unhurried but well-focused endeavors in equal measure. Past work includes The Little Foxes (William Marshall) with Rockville Little Theater and Noises Off (Gary/Roger), The Laramie Project (Greg Pierotti), and A Tuna Christmas (various) with groups in upstate New York. While no Schrödinger, he does have two cats named after astronomers (Tycho and Kepler).
Sue Struve is delighted to be working with Perisphere Theatre. Most recently, she performed the one-person play Eleanor Roosevelt: Her Secret Journey at Compass Rose Theater, and prior to that, played Ruth Steiner in Collected Stories at Peter’s Alley Theatre Productions. At Annapolis Shakespeare Company, Sue played Miss Prism in The Importance of Being Earnest, Brighella the Innkeeper in The Servant of Two Masters, and Mrs. Henry Dashwood in Sense and Sensibility. Other favorite roles include Leonato in Much Ado about Nothing (Baltimore Shakespeare Factory); Mother/Ensemble in The Wedding Dress (Spooky Action Theater); Betty Chumley in Harvey and understudying Dorine in Tartuffe and Lenny and Chick in Crimes of the Heart (Bay Theatre); Ouisa in Six Degrees of Separation, Agnes in The Shadow Box, and Gillian Crane in Permanent Collection (Dignity Players); and Beatrice in Rebecca and Mme de Volanges in Les Liaisons Dangereuses (Colonial Players).
Producer: Alicia Goodman
Director: Heather Benjamin
Lighting Designer: E-hui Woo
Set Designer: John Decker
Sound Designer: Edward Moser
Costume Designer: Asia McCallum
Graphic Design: Caroline Chase